Showing posts with label flamenco. Show all posts
Showing posts with label flamenco. Show all posts

Saturday, April 20, 2013

Spain's Intangible Cultural Heritage

UNESCO has been keeping track of the world's tangible, or physical, patrimony through its World Heritage Site list since 1972. Then in 2003 the Convention for the Safeguarding of Intangible Cultural Heritage was signed, which authorized UNESCO to identify non-physical cultural expressions, too. This was to include such things as music, drama, arts, crafts and more. On this 10th anniversary of the convention, the Representative List of the Intangible Cultural Heritage of Humanity has a total of 257 'cultural practices and expressions' on it, 13 of which are in Spain. These join the 44 physical places on the World Heritage Site list as globally recognized masterpieces of humanity.

Below are Spain's treasured thirteen:

Cant de la Sibil · la - Majorca, The Balearic Islands

The Song of the Sibyl is a musical liturgical drama with roots in Gregorian chants that was widespread in Europe in the Middle Ages. The Apocalyptic piece was banned by the 16th century Council of Trent, but continued to be performed in Majorca. It is performed during Christmas midnight masses in Catholic churches throughout the island.

Castellars - Catalonia 

These human towers, which range from six to ten 'stories' tall, from the pinya at the bottom to the l'anxeneta at the top, can be seen at events all over the region of Catalonia. Each is a collective effort of solidarity, often 'built' as part of a passionate competition among castellar groups. 

Center for Traditional Culture – a Pedagogic Project of The School Museum of Pusol - Elche, Valencia

Stared at the one-teacher rural public school of Pusol in 1968, the project has successfully integrated heritage into formal education by using teachers and external collaborators to guide children to explore, in a play atmosphere, Elche's rich heritage. The children do fieldwork data collection, museography, and they teach one another and visitors not only about heritage, but about studying and exploring heritage. The project has trained almost 500 schoolchildren and has resulted in a school museum with more than 61,000 inventory entries and 770 oral files, preserving everyday life heritage and promoting the cultural mapping of local heritage resources. Between 1968 and the mid 1980s, the project remained within the boundaries of the rural district of Pusol, where the school was based, but as knowledge of the project’s values and achievements spread, the project’s operational scope grew larger, first involving the remaining rural districts of Elche’s countryside (mid 1980s) and later the city of Elche (1990s).

Cultural Association of the Lime Kilns of Morón - Morón de la Frontera, Andalusia

The traditional practice of lime-making was a source of employment for Morón de la Frontera and a marker of its identity. When production was eclipsed by industrial lime, kilns fell into disuse and transmission of knowledge ceased. The project’s primary goals are to raise awareness of the practice and importance of lime-making and to improve living conditions for craftspeople. To this end, the Cultural Association of the Lime Kilns of Morón was established, and gave birth to an ethnographic centre and a living museum that displays the craft process in situ. Kilns have been restored and the project actively promotes transmission of techniques to new generations. Outreach activities in cooperation with lime craftspeople focus on recovering expertise and techniques for use in sustainable construction.

Festival de los Patios - Cordoba, Andalusia

Every year in May fifty-five homes located in the historic center of Cordoba opens their doors to every traveler who wishes to enjoy the floral splendor of their courtyards.

Falconry - Spain

Spain is the ideal destination to observe or participate in this traditional activity, which involves breeding and training falcons and/or other birds of prey to hunt in their natural environment.

Flamenco (Andalusia, Extremadura and Murcia)

¡Flamenco! Flamenco is an artistic expression fusing song, dance and musicianship. Although Andalusia is the heartland of Flamenco, it also has roots in the regions of Murcia and Extremadura. 
  • The Badasom Festival in Badajoz (Extremadura) from 10 to 13 July, with flamenco as well as Portuguese fado.
  • Festival Internacional del Cante de las Minas in La Unión (Murcia), the first week of August, .
  • And November 16th is the Day of Flamenco in Andalusia.
  • www.fundacioncantedelasminas.org

Irrigators' Tribunals of the Spanish Mediterranean

Traditional tribunals dealing with local irrigation matters. The Council of Wise Men of the Plain of Murcia, dates back to the 9th century, while the Water Tribunal of the Plain of Valencia is the oldest institution of justice in Europe. Their oral proceedings are fast, transparent and impartial. Their decision is final. In addition to their legal roles, these courts contribute to the oral transmission of knowledge derived from centuries-old cultural exchanges. They have their own specialist vocabulary peppered with Arabic borrowings. In short, the courts are long-standing repositories of local and regional identity and are of special significance to local inhabitants -- and they are something to see.

La Patum - Berga, Catalonia

During the holy week of Corpus Christi, townspeople dress as mystical and symbolical figures and dance through the streets to the beat of a kettledrum called a tabal. Among the things to be seen are turcs i cavallets (Turks and knights), maces (hell), guites (mules), àligas (eagles) vells nans i nans nous (old dwarfs and new dwarfs), gegants (paper mache  giants) and plens (with burning fuets on). This event has origins in pre-Christian summer solstice celebrations of the, which were adapted by the Catholic Church. Today it is not religious, but rather more a bit of popular street theater. 

Mare de Deu de la Salut - Algemesi, Valencia

The Festival of Our Lady of Health dates back to the 13th century and involves theatre, dance, music and street processions. Three processions are held, one on 7 September and two on the 8th. They include Muixeranga, which are human towers similar to the Castellers but which include the performance of a dance. There are seven dance events, 63 musical compositions, street depictions of historical and biblical characters, scenes of martyrdoms, living tableaus, etc.

Mediterranean Diet - Spain

The main ingredients of the Mediterranean diet include olive oil, cereals, fruits, vegetables, a moderate amount of meat, fish and dairy products, seasoning and spices, accompanied by wine or infusions.  UNESCO mentions Soria, in Castile-León, as a prime example of a city that is committed to the Mediterranean diet, but this glorious food can be enjoyed all over Spain.

Misteri d'Elx - Elche, Valencia

A two-part liturgical drama dating from the Middle Ages commemorating the Dormition, Assumption and Heavenly Coronation of the Virgin Mary. It is sung in Valencian and Latin and performed in the Basilica de Santa María. Dress rehearsals can be seen on some days before the events, with part one performed on August 14th and part two on the Feast of the Assumption, August 15th.

Whistled Language of La Gomera - La Gomera Island, Canary Islands

The Silbo Gomero replicates the islanders’ vocal language (Castilian Spanish) with whistling. Handed down over centuries from master to pupil, it is the only whistled language in the world that is fully developed and practised by a large community -- more than 22,000 inhabitants. The whistled language replaces each vowel or consonant with a whistling sound: two distinct whistles replace the five Spanish vowels, and there are four whistles for consonants. The whistles can be distinguished according to pitch and whether they are interrupted or continuous. With practice, whistlers can convey any message. The language takes advantage of the peculiar topography of the island, reverberating across its deep ravines and narrow valleys. Messages can be heard up to five miles away.

Saturday, October 23, 2010

Carmen Amaya: the Greatest Flamenco Dancer of All Time

 The 100th birthday of Carmen Amaya, one of the legends of flamenco dance and song, will be observed in 2013. Barcelona, the native city of the legendary 'Queen of the Gypsies,' is already beginning to celebrate the centennial with the opening this weekend of the 1st annual Carmen Amaya Festival, organized by the Tablao del Carmen, one of the venues in the city's open air museum Pueblo Español. The event features guitarist Tomatito, singers Remedios Amaya and Montse Cortes, and flamenco dancer Manuela Carrasco, winner of Spain's National Dance Award in 2007.

Amaya never formally studied dance or voice, but began from the age of 4 as a street performer with her father. From the streets of Barcelona, she went on to perform on the city's stages before moving on to conquer the nation's capital, Madrid. When the Civil War broke out in 1936 she left Spain and began traveling and performing in the great cities of the world, including Lisbon, London, Paris, Rio de Jainero, Buenos Aires, Santiago, Caracas, Bogotá, Havana, Mexico City, and New York, where she debuted at Carnegie Hall. She went on to appear in Hollywood movies and in 1944 performed at the White House for President Franklin D. Roosevelt. After a decade abroad she returned to Spain as a wealthy international star. She continued to perform and travel the world over, including one more visit to the White House, this time at the invitation of President Harry S. Truman in 1953. Ten years later Amaya died of kidney failure at only 50 years of age.

Speaking to the newspaper El Periódico about this weekend's tribute, Tomatito, who is a world renowned musical artist himself, said that he hopes to demonstrate the 'connection' his playing has with the wild fury of Amaya.

"My guitar is connected to her. I am a Gypsy, just like Carmen."

Describing her as the greatest of dancers, Tomatito recalled stories that when people from his native Andalusia learned that unlike them she did not originate from the birthplace of flamenco, but rather from the northern region of Catalonia, the bemused attitude was usually one of, "Well, we all have skeletons in our closets." 

Video clips:

Clips from the documentary "QUEEN OF THE GYPSIES, a Portrait of Carmen Amaya"

Carmen Amaya in "Follow the Boys" - 1944

Carmen Amaya y su troupe por Bulerias - 1961

Sunday, May 4, 2008

Barcelona's April Fair - Feria de Abril


Today is the last day of the 37th edition of Barcelona's April Fair. Some of you may be thinking, “Why does a so-called April fair happen in May?” – and those of you who know Spain may be asking, “Isn't the April Fair held in Seville each year?”
.
Well, the original April Fair, which was first held in 1847, is the one that occurs in Seville each year. It usually starts two weeks after Semana Santa (Holy Week). There are also smaller April Fairs held in several Andalusian cities and towns at around the same time.
.
In 1971 immigrants to Barcelona from Andalusia, and their descendants, began their own version of this rite of spring. Today Barcelona's is the second largest April Fair in Spain, rivaled only by the one in Seville. This fair typically runs from the last week of April through the first week of May.
.
So, just what is an April Fair? Well, first and foremost, it is fun. Secondly, it's an opportunity to revel in Spanish, especially Andalusian, culture – flamenco, sevillianas, rumbas, boleros, pienetas, mantillas, shawls, riding jackets, castanets, cantaores, bailaoras, Jerez sherry, manzanilla wine, tapas, gazpacho, ham, and, my favorite, the Spanish confection churrrrrrrrros!
.
In Barcelona's version, the April Fair is also a celebration of multiculturalism. This is in recognition of the fact that Catalonia absorbed hundreds of thousands of “internal immigrants”from Andalusia, Murcia and Extremadura during the 50s, 60s and 70s and is now absorbing a new wave of immigrants, but this time from Latin America, Morocco, Pakistan and Eastern Europe. Indeed the current President of the Catalan government, José Montilla, was one of these “immigrants” from Andalusia, having relocated with his family to Catalonia when he was 16.
.
Because of all this, aside from the typical pavilions (casetas) dedicated to towns in Andalusia, you can find others like the Casita Latina, the Centro Cultural Gitano La Mina (The Gypsy Cultural Center of La Mina) and the Moroccan pavilion, with food, drink and gifts on sale in support of El Colectivo para la Defensa y la Protección de las Constantes Sagradas del Reino de Marruecos (The Collective for the Defense and Protection of the Sacred Attributes of the Kingdom of Morocco). In addition, visitors to the festival are a mosaic of people from around Spain and the world. However, there are usually not very many tourists. For that last reason, I find it a particularly authentic experience.
.
Another difference between the events in Seville and Barcelona is that in Seville the pavilions are privately owned and one must be an insider of sorts (e.g., a family member or friend, a member of an organization or willing to pay a lot of money) to gain entry. While in Seville members of the public can walk around and “press ones nose to the glass,” metaphorically speaking, at Barcelona's more egalitarian event anyone can walk into a pavilion, sit down and, if they dare, dance! In Seville, the pavilions are decorated, but tend to all look similar from the outside. In Barcelona pavilion interiors and facades are colorfully, often cleverly, decorated -- and in Barcelona, there is a even a contest for best decor!
.
Each year the sponsoring organization, FECAC (Federación de Entidades Culturales Andaluzas en Cataluña = Federation of Andalusian Cultural Groups in Catalonia), chooses the top three pavilions, as well as the best interior and best facade. This year there were 58 pavilions and the prizes went to:

All the pavilions of Barcelona's Feria de Abril are welcoming places where members of the public can rest from walking around the fairgrounds, buy a drink, eat a meal, snack on tapas, listen to music, watch dancers, or get up and dance. Most of the pavilions are sponsored by cultural associations created by and for Andalusian immigrants and their descendants. There are also pavilions sponsored by political parties from just about the entire spectrum. In addition to pavilions, there are stalls selling clothing, arts, crafts, and food items from around Spain. There is also a fun-fair for kids, with a Ferris wheel and other rides, as well as little stands selling hot dogs, ice-cream, cotton candy, drinks and, of course, churrrrrrrrros!
.
Admission to the fairgrounds is free. Prices in the pavilions are regulated by the fair organizers, but prices in the stands and stalls are not. So, the best deals are on food and drink often in the pavilions.
.
The entire thing is an 11 day feast of sight, sound, smell, touch and taste. And the joy is contagious – whether its that of the professional dancers on the stages, the colorfully costumed bands of singers & dancers who roam around the grounds or the civilians strutting their stuff on the pavilion dance floors.
.
¡Viva la feria de abril!
.
Carloz
.
P.D. Y, ¡viva los churrrrrrrrros!